Since childhood, Sunti Pichetchaiyakul displayed an incredible capacity to implement something spiritual in his artwork. This was not unexpected of Sunti, however. He was recognized in his village in Nakhon Ratchasima, Thailand as the boy with the birthmark of the third eye on his forehead. Others identified Sunti as the boy whose mother had undergone surgery to prevent childbirth only four years before he was born. Thus, a spiritual gift was considered only natural from the boy with a miracle birth. Inescapably, Sunti’s greatest challenge in Thailand was not proving his remarkable artistic ability, but rather penetrating the cultural barricades that disregarded young talent.